Hit Man Review: Glen Powell performs in Richard Linklater’s twisted crime plot

Hit Man
Pic Credit - Netflix

Richard Linklater’s Hit Man is a beguiling blend of film noir and comedy, enhanced by actor Glen Powell’s magnetic performance.

Hit Man is the definitive answer to putting to rest the question of whether anyone other than you suggested the abilities of a man named Glen Powell. In Richard Linklater’s latest murder comedy, the actor gives a wild and extraordinary performance. When we meet our protagonist, he is a professor who teaches Nietzsche all day. And in the next few minutes, he is seen working for the New Orleans Department of Labor as a hitman. Powell moves quickly through this tableau, which is both nihilistic and incredibly funny, from Gary Johnson to Ron, with a hundred new people in between to keep it moving. And to top it all off, it’s based almost entirely on a true story!

Gary is a simple person who teaches philosophy at the University of New Orleans. He also brings along his kittens, Id, and Ego. He’s that guy who can handle being considered uninteresting. His side job as a police officer When undercover killer Jasper (Austin Amelio) disappears and is inevitably suspended due to a case of police misconduct, the department receives a promotion. Gary must prove that he is a hitman to those who want to hire him for the shady job. Powell, who co-wrote the script with Linklater, seems to have a lot of fun in these opening sequences as our new hitman digs deep into the role. Create a new personality for each case, representing the idealized version of a killer for a specific client. When he meets the beautiful but scary Madison (Adria Arjona), who wants to hire him to kill her husband, the stakes are ridiculous. The concept takes a complicated turn. She can barely eat the cake on the table without feeling guilty about being taken advantage of. She claims her husband put her on a diet. Captured by her raw honesty, he lets her go. This change to your normal routine takes the vibe to new heights. Hit Man is a strange and disturbing film that goes from light-hearted comedy to twisty romantic thriller to full-blown horror film. Linklater keeps the consequences of the change offscreen while matching the film’s protagonist in terms of speed.

Even as the film’s philosophical core comes to the fore, there is a point in the second half where the suspense seems to drag on. The real winners are Sandra Adair’s editing and Bruce Curtis’ refined production design. The second half of the film teeters on the brink of disaster, but the director and editing duo strike an unwavering balance between excitement and danger.

But the underdeveloped character of the female lead is what diminishes the overall impact of Hit Man. Always warm and seductive, Arjona’s Madison is terrified and incredibly innocent. The character in this movie lacks a sense of agency, so the last-minute crash interaction is pointless. When Ron’s not home, who is Madison? Who is he hiding from? We may never know. Arjona and Powell have great chemistry together, which helps offset these pesky discrepancies.

A quirky and unexpectedly profound romantic comedy, Hit Man is one of the strangest films to hit theaters in a long time. It is a complete surprise in the next moment, while you enjoy the previous moment. Here we see Linklater continue taking risks and flying without considering it necessary to take off. Either you land or you lose everything. There is nothing in between.

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On June 7, Hit Man debuted on Netflix.

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